
You just can’t trust pirates… (via indiekidd73)
For more funny signs check the post on the Flickr Blog
The virtual home of Zohar Manor-Abel – Online since 2005
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You just can’t trust pirates… (via indiekidd73)
For more funny signs check the post on the Flickr Blog

First time I see ‘License Photo’ option on Flickr, licensing by Getty Images. Now – is it published by Flickr user and “bought” by Getty, or is it published by Getty in another way to reach buyers?
(image by virginiaz)

I LOVE WAR! (via .FAKE.)

“DO YOU STAGE OR DIGITALLY MANIPULATE YOUR PHOTOGRAPHS?
No, I spend a great deal of time walking the streets trying to capture moments. The only photographs on my website that are staged or digitally manipulated are the photographs clearly labeled as ‘adverts’ in the commissioned section.”
This concept came to me as I was walking in the streets of SoHo in New York in April 2007. The display windows reflected the houses on the street, and I thought that the houses reflected the window displays.
This is happening in any city that we live in. The city is a reflection of our way of consumer culture. We can see it in every corner, in every city in the world.
This is my reflections on consumerism.
* I would like it to be my next idea for an exhibition.
There are a lot of ”anomalies” in Apollo Moon missions photos. Were they a hoax?
The more I think about it… I believe it.
Link: Goddard’s Journal and Moon Base Clavius
‘Abstractions‘, ‘Photoelectric’, and ‘Fast Life and Dematerialized‘, were born from a feeling of sudden realization of the beauty embedded in everyday life.Going around with a camera, be it a film, digital or mobile phone camera, whilst having the ability to photograph everything and everywhere, made me more attentive to the world around me, especially to small and everyday objects.
When I was paying a close attention, everyday objects suddenly appeared to me new, unusual and even in an abstract form. The beauty I felt to revealed absorbed my attention, carried me away and evoked the desire to share this special experience.
Implementation of the long exposure technique on objects and people in movement produced a result which coordinated with my perception of reality – the city in a constant movement, the people who are in a constant hurry to achieve ‘the next thing’. In the theatre of fast city life, the settings and the surroundings stay in the same place, preserved throughout the historic periods, while the people always move, never stop in the same place and vanish into oblivion. I wanted to stop in the midst of this never-ending process and freeze that special moment, to capture the everlasting movement in a single moment in time.
Most of these pictures were taken without arrangement or plan, but were born out of a sudden urge to capture a different view of the everyday life and objects.
(From my portfolio)